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Maroon 5 – V (2014) [High Fidelity Pure Audio Blu-Ray Disc]

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Artist: Maroon 5
Title: V
Genre: Pop, Rock
Label: © Interscope Records
Release Date: 2014
Recorded: 2013–14 at Conway Studios, Los Angeles
Quality: Blu-ray Audio
Length: 00:52:21
Video: MPEG-4 AVC 269 kbps / 1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio: English LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit
Audio: English DTS-HD MA 2.0 / 96 kHz / 3805 kbps / 24-bit (DTS Core: 3.0 / 48 kHz / 1509 kbps / 24-bit)
Audio: English Dolby TrueHD 2.0 / 96 kHz / 3236 kbps / 24-bit (AC3 Embedded: 2.0 / 48 kHz / 640 kbps / Dolby Surround)
Size: 5.31 GB

Maroon 5’s latest provides a sonic summation of the group’s journey to date – capturing the essence of the earliest M5 hits through to their most recent successes, as well as providing a picture of its artistic growth into the future. Bringing it all back home, V features the return of M5’s original keyboardist Jesse Carmichael to the fold, rejoining frontman Adam Levine, guitarist James Valentine, bassist Mickey Madden, drummer/percussionist Matt Flynn, and keyboardist PJ Morton after a two-year hiatus. The group’s fifth studio album features singles “Maps” and “Animals”.

It wasn’t noted much at the time, but founding keyboardist Jesse Carmichael sat out Maroon 5’s 2012 album Overexposed — a circumstance that just happened to coincide with Adam Levine capitalizing on his Voice-fueled stardom. Overexposed and over-filled with guest producers and songwriters drafted to compensate for the absent Carmichael, rapper Wiz Khalifa, reliable Swedish hitmakers Max Martin & Shellback, and icy OneRepublic frontman Ryan Tedder gave the group a steely sleekness to suit contemporary charts. Some of this is retained on V, the 2014 record that marks Carmichael’s return to the group, partially because all those guests save Khalifa return for a second helping. The absence of the rapper suggests Maroon 5 aren’t quite as concerned with sounding youthful as they were last time around, which is generally true. Some tracks maintain the glossy veneer that overwhelmed Overexposed — not entirely a surprise with Martin billed as the record’s executive producer — and, despite some unnecessary vocal processing on Levine scattered throughout the record, these are largely the ones featuring returning guests: Tedder co-writes and co-produces the album’s lead single, “Maps,” a song where Levine’s Sting mannerisms steamroll the hooks,” while Shellback helms “Animals,” “In Your Pocket,” and “Feelings,” with all but the last placing emphasis on brittle beats. Elsewhere, the vibe shifts slightly back to the soulful pop that’s remained at Maroon 5’s core since the beginning, here given an ever so slight maturation to balance the modern moves heard on the rest of the record. Sometimes, the group achieves a delicate balance between the two extremes — “It Was Always You,” “New Love,” and the aforementioned “Feelings” — but the best moments on V are when Maroon 5 embrace the tuneful, slightly soulful adult contemporary pop band they’ve always been, as they do on “Sugar,” “Coming Back for You,” and the Gwen Stefani duet “My Heart Is Open.” –Stephen Thomas Erlewine

Tracklist:
1. Maps 03:10
2. Animals 03:51
3. It Was Always You 04:00
4. Unkiss Me 03:58
5. Sugar 03:56
6. Leaving California 03:24
7. In Your Pocket 03:40
8. New Love 03:17
9. Coming Back For You 03:47
10. Feelings 03:15
11. My Heart Is Open 03:58
12. Shoot Love 03:10
13. Sex And Candy 04:26
14. Lost Stars 04:28

Personnel:
Adam Levine – vocals, guitar, songwriting
Jesse Carmichael – keyboards, guitar, backing vocals
Mickey Madden – bass guitar
James Valentine – guitar, backing vocals
Matt Flynn – drums, percussion
PJ Morton – keyboards, backing vocals
Additional
Sam Farrar – gutiars, backing vocals
Gwen Stefani, Mike Posner – vocals
Shellback – bass, drums, guitar, backing vocals
Mattias Bylund, Phil Peterson – strings
Ammo, Cirkut – drums, keyboards, percussion
Johan Carlsson, Ashley Cahill, Ross Golan, Ryan Jackson-Healy, Aryn Wüthrich – backing vocals
Dr. Luke – drums, guitar, keyboards, percussion, synthesizer bass
Jason Fields, Travis Leete, Sam Schamberg, Shawn Tellez – vocals, handclapping

DISC INFO:

Disc Title:     Maroon 5.V.2014.BDA1080p
Disc Size:      5 702 724 867 bytes
Protection:     AACS
BD-Java:        Yes
BDInfo:         0.5.8

PLAYLIST REPORT:

Name:                   00000.MPLS
Length:                 0:52:21.138 (h:m:s.ms)
Size:                   5 701 115 904 bytes
Total Bitrate:          14,52 Mbps

VIDEO:

Codec                   Bitrate             Description     
-----                   -------             -----------     
MPEG-4 AVC Video        83 kbps             1080p / 23,976 fps / 16:9 / High Profile 4.1

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Codec                           Language        Bitrate         Description     
-----                           --------        -------         -----------     
LPCM Audio                      English         4608 kbps       2.0 / 96 kHz / 4608 kbps / 24-bit
DTS-HD Master Audio             English         3805 kbps       2.0 / 96 kHz / 3805 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
Dolby TrueHD Audio              English         3236 kbps       2.0 / 96 kHz / 3236 kbps / 24-bit (AC3 Embedded: 2.0 / 48 kHz / 640 kbps / Dolby Surround)

FILES:

Name            Time In         Length          Size            Total Bitrate   
----            -------         ------          ----            -------------   
00000.M2TS      0:00:00.000     0:52:21.138     5 701 115 904   14 520

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http://subyshare.com/bvhjfd61f82l/MAROON_5_V.part6.rar.html


The Allman Brothers Band – The 1971 Fillmore East Recordings (2014) [High Fidelity Pure Audio Blu-Ray Disc]

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Artist: The Allman Brothers Band
Title: The 1971 Fillmore East Recordings
Genre: Southern rock, blues, blues rock
Label: © Mercury Records | The Island Def Jam Music Group
Release Date: 2014
Recorded: March 12-13, June 27, 1971 at the Fillmore East in New York, NY.
Quality: Blu-ray Audio
Duration: 6:05:22
Video: MPEG-4 AVC 4993 kbps / 1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio#1: English LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit
Audio#2: English DTS-HD MA 5.1 / 96 kHz / 7842 kbps / 24-bit (DTS Core: 6.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#3: English Dolby TrueHD 5.1 / 96 kHz / 7562 kbps / 24-bit (AC3 Embedded: 5.1 / 48 kHz / 640 kbps)

One of the best live albums of all time is about to get considerably better. The Allman Brothers Band’s cornerstone LP, At Fillmore East, compiled from the four sets recorded on the weekend of March 12-13, 1971. Additionally, The 1971 Fillmore East Recordings contains the complete June 27 performance during the iconic venue’s final weekend, after the band was handpicked by impresario Bill Graham to headline closing night. Produced by Bill Levenson, who compiled the definitive Skydog: The Duane Allman Retrospective (Rounder, 2013), The 1971 Fillmore East Recordings captures the most inspired improvisational rock unit ever at the peak of their prodigious powers, blazing their way through extended instrumental elaborations, so taut and virtuosic, that the crowds that packed the Fillmore East on those memorable nights were utterly transfixed. When it came to live performance, no other band could touch the Allmans.

  In his scrupulously detailed notes for the set, Allmanologist John Lynskey writes: “From its inception in March 1969, the Allman Brothers Band rapidly established a near-mythical reputation through its incendiary, marathon concerts. No other group could touch the Allman Brothers when it came to extended, improvised jamming; they truly were in a league and dimension of their own. Duane Allman was joined by his brother Gregg on keyboards and vocals, the dual drumming combo of Jaimoe and Butch Trucks, bassist extraordinaire Berry Oakley, and Dickey Betts, Duane’s foil on guitar. Together, these individually talented artists blended into a unit whose sum exceeded the total of its impressive singular parts. The group toured relentlessly—they spent 300 days on the road in 1970, honing their sound and building a loyal fan base, one show at a time. An Allman Brothers’ concert could not be explained, it could only be experienced, and by word of mouth, the group became known as ‘the people’s band’ for their no-frills approach to live music.”
  As Lynskey notes, the Allman Brothers Band’s magic has always existed primarily on the concert stage, but on the weekend of March 12-13, 1971, when they rolled into Manhattan to play four shows at the iconic East Village venue, they raised the bar higher than ever. “That weekend in March of ‘71 when we recorded At Fillmore East, most of the time it clicked,” drummer Butch Trucks recalls. “We were finally starting to catch up with what we were listening to. We had lived together…we got in trouble together; we all just moved as a unit. And then, when we got onstage to play, that’s what it was all about—and it just happened to all come together that weekend.”
  The four shows were recorded by veteran Atlantic Records engineer/producer Tom Dowd, who’d not only produced the Allmans’ second album, Idlewild South, but also the sessions for Derek & the Dominos project, putting Duane Allman together with Eric Clapton for some mind-blowing extended guitar duels. That album, Layla, dramatically backed up those who’d been calling the upstart Allman Brothers Band the most exciting live act on the planet, and its little-known 24-year-old leader a fiery six-string virtuoso to rival Clapton, Beck and Page. Dowd and Atlantic, consequently, wanted to put out a live album to capture a skilled and adventurous band in full flight, the two guitars circling each other like a pair of falcons, stretching their material into thrilling and electrifying shapes. No matter that the Allmans had yet to tackle most of their live material in the studio—this band wasn’t about the studio.
  “If we could just get people to come out and see us,” Duane Allman told interviewer Bud Scoppa on the afternoon of Friday, March 12, before their first pair of headlining sets, “I know they’d like what they heard.”

Tracklist:
BD#1
  March 12, 1971 – First Show
1. Statesboro Blues 4.44
2. Trouble No More 3.47
3. Don’t Keep Me Wonderin’ 3.53
4. Done Somebody Wrong 4.24
5. In Memory Of Elizabeth Reed 17.38
6. You Don’t Love Me 14.58
  March 12, 1971 – Second Show
1. Statesboro Blues 4.29
2. Trouble No More 4.04
3. Don’t Keep Me Wonderin’ 3.39
4. Done Somebody Wrong 4.56
5. In Memory Of Elizabeth Reed 18.38
6. You Don’t Love Me 19.13
7. Whipping Post 19.30
8. Hot ‘Lanta 5.19
BD#2
  March 13, 1971 – First Show
1. Statesboro Blues 4.18
2. Trouble No More 3.47
3. Don’t Keep Me Wonderin’ 3 .38
4. Done Somebody Wrong 4.08
5. In Memory Of Elizabeth Reed 13.15
6. You Don’t Love Me 19.50
7. Whipping Post 17.30
  March 13, 1971 – Second Show
1. Statesboro Blues 4.43
2. One Way Out 4.40
3. Stormy Monday 10.39
4. Hot ‘Lanta 5.31
5. Whipping Post 23.05
6. Mountain Jam 35.39
7. Drunken Hearted Boy 7.45
BD#3
  June 27, 1971 – Closing Show
1. Bill Graham introduction / Statesboro Blues 5.31
2. Don’t Keep Me Wonderin’ 3.47
3. Done Somebody Wrong 3.36
4. One Way Out 5.24
5. In Memory Of Elizabeth Reed 12.33
6. Midnight Rider 3.07
7. Hot ‘Lanta 5.48
8. Whipping Post 20.14
9. You Don’t Love Me 17.23

Personnel:
Gregg Allman – organ, piano, vocals
Duane Allman – lead guitar, slide guitar
Dickey Betts – guitar
Berry Oakley – bass guitar
Jaimoe Johnson – congas, drums, timbales
Butch Trucks – drums, timpani
  Additional:
Elvin Bishop – guitar, vocals
Bobby Caldwell – percussion
Stephen Miller – piano
Rudolph Carter – saxophone
Thom Doucette – harmonica

QUICK SUMMARY:

Disc Title: BD_1_MARCH_12_1971_FIRST_&_SECOND_SHOW
Disc Size: 27 836 812 052 bytes
Protection: AACS
BD-Java: Yes
Playlist: 01004.MPLS
Size: 27 727 607 808 bytes
Length: 2:09:27.634
Total Bitrate: 28,56 Mbps
Video: MPEG-4 AVC Video / 4993 kbps / 1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio: English / LPCM Audio / 2.0 / 96 kHz / 4608 kbps / 24-bit
Audio: English / DTS-HD Master Audio / 5.1 / 96 kHz / 7842 kbps / 24-bit (DTS Core: 6.1 / 48 kHz / 1509 kbps / 24-bit)
Audio: English / Dolby TrueHD Audio / 5.1 / 96 kHz / 7562 kbps / 24-bit (AC3 Embedded: 5.1 / 48 kHz / 640 kbps)
QUICK SUMMARY:

Disc Title: BD_2_MARCH_13_1971_FIRST_&_SECOND_SHOW
Disc Size: 34 112 177 567 bytes
Protection: AACS
BD-Java: Yes
Playlist: 01004.MPLS
Size: 34 002 425 856 bytes
Length: 2:38:31.627
Total Bitrate: 28,60 Mbps
Video: MPEG-4 AVC Video / 4993 kbps / 1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio: English / LPCM Audio / 2.0 / 96 kHz / 4608 kbps / 24-bit
Audio: English / DTS-HD Master Audio / 5.1 / 96 kHz / 7881 kbps / 24-bit (DTS Core: 6.1 / 48 kHz / 1509 kbps / 24-bit)
Audio: English / Dolby TrueHD Audio / 5.1 / 96 kHz / 7593 kbps / 16-bit (AC3 Embedded: 5.1 / 48 kHz / 640 kbps)
QUICK SUMMARY:

Disc Title: BD_3_JUNE_27_1971_CLOSING_SHOW
Disc Size: 16 538 416 209 bytes
Protection: AACS
BD-Java: Yes
Playlist: 01002.MPLS
Size: 16 429 824 000 bytes
Length: 1:17:31.605
Total Bitrate: 28,26 Mbps
Video: MPEG-4 AVC Video / 4993 kbps / 1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio: English / LPCM Audio / 2.0 / 96 kHz / 4608 kbps / 24-bit
Audio: English / DTS-HD Master Audio / 5.1 / 96 kHz / 7680 kbps / 24-bit (DTS Core: 6.1 / 48 kHz / 1509 kbps / 24-bit)
Audio: English / Dolby TrueHD Audio / 5.1 / 96 kHz / 7446 kbps / 16-bit (AC3 Embedded: 5.1 / 48 kHz / 640 kbps)

Disc 1:

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http://subyshare.com/kc4pn4kvpziq/BD1_MARCH_12_1971_FIRST__SECOND_SHOW.part02.rar.html
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Disc 2:

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Disc 3:

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The Oscar Peterson Trio – Night Train (1962/2013) [High Fidelity Pure Audio Blu-Ray Disc]

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Artist: The Oscar Peterson Trio
Title: Night Train
Genre: Jazz, Mainstream, Bop, Piano Jazz
Label: © Verve Music Group
Release Date: 1962/2013
Recorded: Radio Recorders, Hollywood, Los Angeles, California, on December 15th and 16th, 1962
Quality: Blu-ray Audio
Length: 00:44:54
Video: MPEG-4 AVC 1153 kbps 1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio: LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit
Audio: DTS-HD MA 2.0 / 96 kHz / 3682 kbps / 24-bit (DTS Core: 3.0 / 48 kHz / 1509 kbps / 24-bit)
Audio: Dolby TrueHD 2.0 / 96 kHz / 3059 kbps / 24-bit (AC3 Embedded: 2.0 / 48 kHz / 640 kbps)

Night Train is a jazz album by the Oscar Peterson Trio, released in 1962 by Verve Records. It was one of Peterson’s most commercially successful recordings. The Penguin Guide to Jazz included it in its core collection, stating that “it’s one of the best long-players of the period” and that Peterson’s playing is “tight and uncharacteristically emotional”.
Album producer Norman Granz had sold Verve, but remained Peterson’s manager, so supervised the Night Train recording session. The brief duration of many of the tracks has been attributed to a desire to have them played on commercial radio, which tended to be reluctant to play anything that was longer than a few minutes. Thigpen’s rivet cymbal, recorded at very close range, is prominent on all issues of the album.

Verve’s Master Edition of the Oscar Peterson Trio date released as Night Train includes stately covers of blues and R&B standards like “The Honeydripper,” “C-Jam Blues,” “Georgia on My Mind,” “Bags’ Groove,” “Moten Swing,” and “Things Ain’t What They Used to Be.” Ray Brown and Ed Thigpen provide tight accompaniment, and there are six previously unavailable tracks recorded the same day, including “My Heart Belongs to Daddy” and “Volare,” as well as alternate takes of “Happy-Go-Lucky Local” and “Moten Swing.” –John Bush

Tracklist:
1. Night Train
2. C Jam Blues
3. Georgia On My Mind
4. Bags’ Groove
5. Moten Swing
6. Easy Does It
7. Honey Dripper
8. Things Ain’t What They Used To Be
9. I Got It Bad and That Ain’t Good
10. Band Call
11. Hymn To Freedom

Personnel:
Oscar Peterson – piano
Ray Brown – double bass
Ed Thigpen – drums

DISC INFO:

Disc Title:     The Oscar Peterson Trio - Night Train
Disc Size:      4 976 697 629 bytes
Protection:     AACS
BD-Java:        No
BDInfo:         0.5.6

PLAYLIST REPORT:

Name:                   00001.MPLS
Length:                 0:44:54 (h:m:s)
Size:                   4 969 199 616 bytes
Total Bitrate:          14,75 Mbps

VIDEO:

Codec                   Bitrate             Description
-----                   -------             -----------
MPEG-4 AVC Video        1158 kbps           1080p / 23,976 fps / 16:9 / High Profile 4.1

AUDIO:

Codec                           Language        Bitrate         Description
-----                           --------        -------         -----------
LPCM Audio                      Multiple languages4608 kbps       2.0 / 96 kHz / 4608 kbps / 24-bit
DTS-HD Master Audio             Multiple languages3688 kbps       2.0 / 96 kHz / 3688 kbps / 24-bit (DTS Core: 3.0 / 48 kHz / 1509 kbps / 24-bit)
Dolby TrueHD Audio              Multiple languages3065 kbps       2.0 / 96 kHz / 3065 kbps / 24-bit (AC3 Embedded: 2.0 / 48 kHz / 640 kbps)

FILES:

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----            -------         ------          ----            -------------
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http://subyshare.com/6pgslmw9q9mw/TheOscarPetersonTrio.NightTrain.BDA.part2.rar.html
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Early Romantic Horn Sonatas (2015) [High Fidelity Pure Audio Blu-Ray Disc]

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Сomposer: Ferdinand Ries (1784-1838), Franz Danzi (1763-1826), Nikolaus von Krufft (1779-1818)
Album title: Early Romantic Horn Sonatas
Performer: Steinar Granmo Nilsen, natural horn; Kristin Fossheim, fortepiano
Genre: Classical
Label: 2L (Lindberg Lyd)
Location: Jar Church, Norway
Release date: August 2015
Recording date: June 2014
Original Quality: Mastering in DXD (352.8kHz/24bit)
Quality: Blu-ray Audio
Length: 1:07:40
Vidieo: MPEG-4 AVC 950 kbps / 1920*1080i / 29,970 fps / 16:9 / High Profile 4.1   
Audio#1: DTS-HD MA 5.1 / 192 kHz / 10703 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: LPCM 2.0 / 192 kHz / 9216 kbps / 24-bit

In the early romantic period, struggling with the aftermath of absolutism’s collapse, people had to find new solutions in all realms of communal life. Because old certainties vanished, another vision of society emerged, shaped by artists: poets, painters and musicians. They viewed a higher world order in nature, to be felt by the individual, and expressed in a synthesis of all arts. Especially in music, these ideas were embodied with a new freedom of stylistic decisions. The sonatas for natural horn and fortepiano by Franz Danzi, Ferdinand Ries und Nikolaus von Krufft are virtuosic compositions with stunning dialogues between the horn and piano parts. They explore the full range of timbres, flamboyantly surpassing classical structures in search of new modes of expression. The verve and profusion of colors in the performance of Steinar Granmo Nilsen and Kristin Fossheim incorporate the early romantic idea that music was the most royal of all arts.

Recording sessions: Facebook Photo Album

Ferdinand Ries (1784-1838) Grande Sonate F-Dur, op. 34, 1811
Franz Danzi (1763-1826) Sonate Es-Dur op. 28, 1804
Nikolaus von Krufft (1779-1818) Sonata E-Dur, 1812

Tracklist:
  Ferdinand Ries (1784 – 1838)
  Grande Sonate F-Dur, op. 34, 1811
1. I. Larghetto. Allegro molto 12:33
2. II. Andante 03:18
3. III. Rondo Allegro 07:54
  Franz Danzi (1763 – 1826)
  Sonate Es-Dur op. 28, 1804
4. I. Adagio. Allegro 11:11
5. II. Larghetto 06:13
6. III. Allegretto 04:30
  Nicolaus von Krufft (1779 – 1818)
  Sonata E-Dur, 1812
7. I. Allegro moderato 11:11
8. II. Andante espressivo 04:57
9. III. Rondo alla Polacca 05:52

Blu-ray Disc:

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Blu-ray to FLAC 24bit/192kHz

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MEZZOTINTS: chamber music by Ståle Kleiberg (2015) [High Fidelity Pure Audio Blu-Ray Disc]

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Сomposer: Ståle Kleiberg (b.1958)
Album title: MEZZOTINTS – chamber music by Ståle Kleiberg
Performer: Marianne Thorsen, violin; Øyvind Gimse, cello; Bård Monsen, violin;  Ole Wuttudal, viola; Jørgen Larsen, piano
Genre: Classical
Label: 2L (Lindberg Lyd)
Location: Sofienberg Church, Norway
Release date: October 2015
Recording date: February 2015
Original Quality: Mastering in DXD (352.8kHz/24bit)
Quality: Blu-ray Audio
Length: 1:10:18
Vidieo: MPEG-4 AVC 950 kbps / 1920*1080i / 29,970 fps / 16:9 / High Profile 4.1   
Audio#1: DTS-HD MA 5.1 / 192 kHz / 10957 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: Auro-3D 9.1 / 96 kHz / 6664 kbps / 24-bit
Audio#3: LPCM 2.0 / 192 kHz / 9216 kbps / 24-bit

Since the early twentieth century there has been a radical renewal of pedigreed chamber genres. We need only think of the late sonatas of Debussy, or of the string quartets of Bartók; or, to enter a high modernist space later in the century, of the duos and quartets of Elliott Carter; or, to move into a less prescriptive space that some like to label postmodern, of Ståle Kleiberg in our own time. In the solo and chamber works recorded here, Kleiberg recaptures something of the ethos of the private sphere. The solo works have an inward character, occluding display, while the chamber works restore the thematic sharing and instrumental characterization of the classical era, but in both cases of an informal kind, shy of system, wary of rhetoric.
Ståle Kleiberg is a major Norwegian composer with a considerable international reputation. The works on this album represent a lesser-known, but valuable, part of his output. His innovatory approach, formal command and technical mastery are especially apparent in his chamber music oeuvre, and it is gratifying to be able to present the following selection here: String Quartet No. 2, Ruf und Nachklang, Ashes, Piano Trio No. 2, Sonata for Violin and Cello and Sonanza e cadenza.

Recording sessions: Facebook Photo Album

Immersive Sound is a completely new conception of the musical experience. Recorded music is no longer a matter of a fixed one-dimensional setting, but rather of a three-dimensional enveloping situation. Stereo can be described as a flat canvas and Surround Sound as a field, but Immersive Sound is a sculpture that you can literally move around and relate to spatially; surrounded by music you can move about in the aural space and choose angles, vantage points and positions. The 9.1 Auro-3D on this Pure Audio Blu-ray features sound reproduction that is more realistic than anything you’ve heard before. It delivers a new standard in immersion, fully enveloping the listener in a cocoon of life-like audio.

Tracklist:
  Ståle Kleiberg (b.1958)
  String Quartet No. 2:
1. Adagio 05:48
2. Allegro 05:13
3. Adagio, rubato 04:58
  Ruf und Nachklang:
4. Moderato 09:33
5. Adagio 05:10
  Ashes:
6. Ashes 03:38
Piano Trio No. 2:
7. Piano Trio No. 2 14:19
  Sonata for Violin and Cello:
8. Andante rubato 04:03
9. Adagio 03:44
10. Allegro 04:00
  Sonanza e cadenza:
11. Sonanza e cadenza 09:42

Blu-ray Disc:

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Blu-ray fo FLAC 24bit/192kHz

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Steven Wilson: 4 1/2 (2016) [HIGH FIDELITY PURE AUDIO BLU-RAY DISC]

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Artist: Steven Wilson
Title: 4 ½
Released: 2016
Genre: Rock, Neo-Prog, Alternative / Indie Rock, Singer / Songwriter
Artist: Steven Wilson – guitars, lead vocals, autoharp, mellotron, piano, percussion, virtual instruments (tracks 1-6), Adam Holzman – Wurlitzer, hammond organ, minimoog, rhodes, piano (tracks 1-6), Dave Kilminster – guitar (tracks 1 and 6), Guthrie Govan – guitar (track 3), Nick Beggs – bass, Chapman Stick, backing vocals (tracks 1-6), Craig Blundell – drums (tracks 1, 5, and 6), Marco Minnemann – drums (track 3), Chad Wackerman – drums (track 4), Theo Travis – reeds (tracks 4 and 6), Ninet Tayeb – vocals (track 6)

Label: © Kscope
Recorded: October 2012 – October 2015
Quality: Blu-ray Audio
Duration: 00:36:46 + 00:36:54 + 00:03:58
Video: MPEG-4 AVC 5003 kbps / 1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio: English DTS-HD MA 5.1 / 96 kHz / 7333 kbps / 24-bit (DTS Core: 6.1 / 48 kHz / 1509 kbps / 24-bit)
Audio: English LPCM 5.1 / 96 kHz / 13824 kbps / 24-bit
Audio: English LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit

An interim release between Hand. Cannot. Erase. and his next album, Steven Wilson’s 4 ½ comprises 6 tracks with a total running time of 37 minutes.
Four of the songs originated during the sessions for Hand. Cannot. Erase. and one from the recording sessions for The Raven That Refused To Sing. The final track is a new version of Don’t Hate Me – a song recorded by Porcupine Tree in 1998 – based on a live recording made on the recent tour of Europe, with additional recording in the studio. The vocals on this new version are sung as a duet between Steven and Ninet Tayeb.

Adam Holzman, Nick Beggs, Guthrie Govan, Dave Kilminster, Craig Blundell, Marco Minnemann, Chad Wackerman and Theo Travis also contribute to 4 ½.
Blu-Ray version in an amray case with die cut slipcase and 8 page booklet photographed by Lasse Hoile and designed by Carl Glover. The blu-ray edition includes high res stereo, a 5.1 mix of the album, plus 6 bonus instrumentals and alternative mixes including a 5.1 mix of the 2015 version of Lazarus.

Tracklist:
1. My Book of Regrets 9.23
2. Year of the Plague 4.15
3. Happiness III 4.31
4. Sunday Rain Sets In 3.50
5. Vermillioncore 5.09
6. Don’t Hate Me 9.34
Blu-ray Exclusive Bonus Tracks (#8-10 Only Stereo):
7. Lazarus (2015 recording) 3.58
8. My Book Of Regrets (edit) 3.34
9. Don’t Hate Me (sw vocal version) 9.34
10. My Book Of Regrets (instrumental) 9.35
11. Happiness III (instrumental) 4.31
12. Don`t Hate Me (instrumental) 9.34

DISC INFO:

Disc Title:     Steven Wilson 4 ½.2016.BDA1080p
Disc Size:      15 928 911 467 bytes
Protection:     AACS
BD-Java:        No
BDInfo:         0.5.8

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5% Winrar Recovery Record included in downloads

Steven Wilson – 4 1/2 (2016) [Official Digital Download 24bit/96kHz]

http://www.hdmusic.me/steven-wilson-4-12-2016-official-digital-download-24bit96khz/

Carlos Kleiber: Complete Orchestral Recordings On Deutsche Grammophon (2014) [High Fidelity Pure Audio Blu-Ray Disc]

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Сomposer: Ludwig van Beethoven (1770-1827), Franz Schubert (1797-1828), Johannes Brahms (1833-1897)
Artist: Wiener Philharmoniker, Carlos Kleiber
Title: Carlos Kleiber – Complete Orchestral Recordings on Deutsche Grammophon
Genre: Classisal
Label: © Deutsche Grammophon
Release Date: 2014
Recorded: 1974-1980, Vienna, Austria
Quality: Blu-ray Audio
Length: 03:51:11
Video: MPEG-4 AVC 950 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio: English LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit
Audio: English DTS-HD MA 5.0 / 96 kHz / 5439 kbps / 24-bit (DTS Core: 5.0 / 48 kHz / 1509 kbps / 24-bit)

these two Beethoven symphonies . . . are among the very finest performances of these works that have ever been captured in the studio. If there is a Beethoven Top 40 chart topper, Symphony No. 5 would certainly be the people’s choice . . . Even those who know next to nothing about classical music would immediately recognize the “fate knocking at the door” theme that opens this work . . . The Vienna Musikvereinsaal is a concert venue with decent acoustics and this remastering gives us a good account of both symphonies with excellent spread across the stage . . . [the release offers] to newcomers an unprecedented opportunity to hear some extraordinary Beethoven symphonic performances by an interpreter who, for the most part, seemed to have a direct connection to its creator. For the best example that I can think of, the Allegretto second movement of the Seventh Symphony, often a formulaic afterthought in most recordings, gets a straight-to-the-core rendition that will stay with listeners long after this work is over.

Record Review / Lawrence D. Devoe, Blu-rayDefinition.com / 16. March 2014

Tracklist:
Complete Orchestral Recordings & Podcast
Ludwig van Beethoven (1770-1827)
Symphony No.5 in C minor, Op.67
1. 1. Allegro con brio 7:19
2. 2. Andante con moto 9:54
3. 3. Allegro 5:08
4. 4. Allegro 10:55
Symphony No.7 in A, Op.92
5. 1. Poco sostenuto – Vivace 13:36
6. 2. Allegretto 8:09
7. 3. Presto – Assai meno presto 8:15
8. 4. Allegro con brio 8:36
Franz Schubert (1797-1828)
Symphony No.3 in D, D.200
9. 1. Adagio maestoso – Allegro con brio 9:01
10. 2. Allegretto 2:45
11. 3. Menuetto (Vivace) 3:40
12. 4. Presto. Vivace 6:00
Symphony No.8 in B minor, D.759 – “Unfinished”
13. 1. Allegro moderato 13:56
14. 2. Andante con moto 10:42
Johannes Brahms (1833-1897)
Symphony No.4 In E Minor, Op.98
15. 1. Allegro non troppo 12:54
16. 2. Andante moderato 11:24
17. 3. Allegro giocoso – Poco meno presto – Tempo I 6:09
18. 4. Allegro energico e passionato – Più allegro 9:14
Carlos Kleiber – A Memoir. Audio Documentary (Written, narrated and produced by Jon Tolansky)
19. Part 1: Introduction: overview of Kleiber’s qualities and his effect and influence on musicians
20. Part 2: First recording (Der Freischütz) and impact on musicians and audiences
21. Part 3: Early history and growth of career
22. Part 4: Beethoven’s Symphony 5, marking of parts, and style of conducting
23. Part 5: Die Fledermaus and Kleiber’s approach to the work
24. Part 6: Opera: working relations with singers, and La traviata
25. Part 7: Kleiber’s conducting technique, and Schubert’s Symphony No 3
26. Part 8: Kleiber’s self-criticism
27. Part 9: Conclusion: overview of Kleiber’s personality, and his legacy for posterity


Part 1:
Audio Excerpt: Verdi: La traviata – Act 1, Scene 1: Ileana Cotrubas, Placido Domingo, Stefania Malagú, Walter Gullino, Bruno Grella, Alfredo Giacomotti, Bayerischer Staatsopernchor, Bayerisches Staatsorchester
Commentary from Sir John Tooley, Dale Clevenger, Gerald Schubert, Dame Felicity Lott, Haim Lazarov and Charles Barber
Part 2: 
Audio Excerpt: Weber: Der Freischutz – Overture, Act 1 Scene 1, and Act 2 Scene 2: Theo Adam, Gerhard Paul, Leipzig Rundfunkchor, Dresden Staatskapelle
Commentary from Peter Jonas, Costa Pilavachi and Clemens Hellsberg
Part 3:
Commentary from Peter Jonas and Werner Resel
  Part 4:
Audio Excerpt: Beethoven: Symphony No 5 – Movement 1: Wiener Philharmoniker
Commentary from Werner Resel, Gerald Schubert, Peter Jonas and Charles Barber
Part 5:
Audio Excerpt: Strauss: Die Fledermaus – Overture, Act 2 Scene 1, Act 2 Czardas: Julia Varady, Bayerischer Staatsopernchor, Bayerisches Staatsorchester
Commentary from Charles Barber
Audio Excerpt: Unter Donner und Blitz Polka: Bayerisches Staatsorchester
Part 6:
Commentary from Ileana Cotrubas
Audio Excerpt: Verdi: La traviata – Act 3, Addio, del passato: Ileana Cotrubas, Bayerisches Staatsorchester
Commentary from Dame Felicity Lott, and Thomas Hampson
Part 7:
Commentary from Haim Lazarov and Costa Pilavachi
Audio Excerpt: Schubert: Symphony No 3 – Movement 4: Wiener Philharmoniker
Part 8:
Commentary from Costa Pilavachi
Audio Excerpt: Beethoven: Symphony No 7 – Movement 4: Wiener Philharmoniker
Part 9:
Commentary from Haim Lazarov, Charles Barber, Dame Felicity Lott, Sir John Tooley and Clemens Hellsberg
Audio Excerpt: Beethoven: Symphony No 7 – Movement 4: Wiener Philharmoniker
DISC INFO:

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Winrar Recovery Volumes
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https://subyshare.com/5lpm8bb959bm/CARLOS_KLEIBER_COMPLETE_ORCHESTRAL_RECORDINGS.part02.rev.html


Karol Szymanowski – Symphonies Nos. 1 and 2 (2008) [High Fidelity Pure Audio Blu-Ray Disc]

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Karol Szymanowski – Symphonies Nos. 1 and 2 (2008)
LPCM 2.0  and DTS-HD Master Audio 5.0  | 24bit / 96kHz |  Time – 00:53:12 minutes | 6,27 GB | @ Naxos

Although Szymanowski later dubbed his Symphony No. 1 a “contrapuntal-harmonic-orchestral monster” and disavowed the influence of Wagner, Reger and Richard Strauss, it is an astonishingly powerful work by a composer only in his mid-20s and still enthralls listeners a century after its première. The unusually structured Symphony No. 2 is a work of great impact and invention, with many passionate and varied contrasts in its use of solo instruments, in particular the violin. On their CD release, these thrilling interpretations of Szymanowski’s Symphony No. 1 (8.570722) earned 5 STARS from BBC Music Magazine, while the Symphony No. 2 (8.570721) gained Gramophone Editor’s Choice and 5 STARS for these “deliriously sensual scores” from Classic FM.

Tracklist:

Symphony No. 1 in F minor, Op. 15
01. I. Allegro Moderato 09:49
02. II. Finale 08:47
Symphony No. 2 in B flat major, Op. 19
03. I. Allegro moderato – Grazioso 13:00
04. II. Theme: Lento – 01:27
05. II. Variation 1: L’istesso tempo – 01:19
06. II. Variation 2: L’istesso tempo – 01:55
07. II. Variation 3: Scherzando. Molto vivace – 02:40
08. II. Variation 4: Tempo di gavotte – 02:44
09. II. Variation 5: Tempo di minuetto – 02:47
10. II. Variation 6: Vivace e capriccioso – 01:22
11. II. Fuga 07:21

DISC INFO:

Disc Title:     KAROL_SZYMANOWSKI_SYMPHONIES_1_2 _NAXOS
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Disc Title: KAROL_SZYMANOWSKI_SYMPHONIES_1_2 _NAXOS
Disc Size: 6,728,352,094 bytes
Protection: AACS
BD-Java: Yes
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Size: 6,710,046,720 bytes
Length: 0:53:12.923
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Audio: English / DTS-HD Master Audio / 5.0 / 96 kHz / 5807 kbps / 24-bit (DTS Core: 5.0 / 48 kHz / 1509 kbps / 24-bit)
Audio: English / LPCM Audio / 2.0 / 96 kHz / 4608 kbps / 24-bit

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Karol Szymanowski – Symphony No. 3 "Song Of The Night"& Symphony No. 4 "Symphonie Concertante" [High Fidelity Pure Audio Blu-Ray Disc]

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Karol Szymanowski – Symphony No. 3 “Song Of The Night” & Symphony No. 4 “Symphonie Concertante”
LPCM 2.0  and DTS-HD Master Audio 5.0  | 24bit / 96kHz |  Time – 00:54:02 minutes | 6,84 GB | @ Naxos

Szymanowski’s Symphony No. 3 ‘Song of the Night’ creates a potent atmosphere of Persian mysticism in its rich blend of voices and exotic orchestration. His Symphony No. 4 is largely extrovert in character and has a prominent rôle for piano. Symphonies Nos. 1 and 2 can be found on NBD0021. The CD release of Symphony No. 3 was Gramophone Editor’s Choice and given 5 STARS by ClassicFM (8.570721), and Symphony No. 4 an ‘unbeatable’ 10/10 from ClassicsToday.com (8.570722); the complete cycle acclaimed as ‘revelatory’.

Tracklist

Symphony No. 3, Op. 27, “Piesn o nocy” (The Song of the Night) [01] I. Moderato assai
[02] II. Allegretto tranquillo
[03] III. Largo

Symphony No. 4, Op. 60, “Symphonie Concertante” [04] I. Moderato – Tempo comodo
[05] II. Andante molto sostenuto
[06] III. Allegro non troppo, ma agitato ed ansioso

DISC INFO:
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BDInfo: 0.5.8
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Anna Netrebko – Sempre Libera (2004/2013) [High Fidelity Pure Audio Blu-Ray Disc]

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Сomposer: Gaetano Donizetti, Giacomo Puccini, Giuseppe Verdi, Vincenzo Bellini
Artist: Anna Netrebko, Mahler Chamber Orchestra, Claudio Abbado
Title: Sempre Libera
Genre: Classical, Opera Arias
Label: © Universal Music | Deutsche Grammophon
Release Date: 2004/2013
Recorded: 2004, Valli Theater, Reggio Emilia, Italy
Quality: Blu-ray Audio
Duration: 01:08:58
Video: MPEG-4 AVC 2400 kbps / 1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio: LPCM  2.0 / 192 kHz / 9216 kbps / 24-bit
Audio: DTS-HD MA 2.0 / 192 kHz / 5877 kbps / 24-bit (DTS Core: 3.0 / 48 kHz / 1509 kbps / 24-bit)
Audio: Dolby TrueHD 2.0 / 192 kHz / 5673 kbps / 24-bit (AC3 Embedded: 2.0 / 48 kHz / 640 kbps)
Size: 12.94 GB

The story of Anna Netrebko’s success requires no further recounting here: beginning with a sensational Salzburg début in 2002 as Donna Anna in Don Giovanni, she’s become an almost unrivaled presence among classical artists. Her first aria recital entered the German pop charts, and with the video clips for this album she stands to become the first opera diva for the MTV generation. The clips have already provided her with a key to the gates of Hollywood. It is in the scene from the Traviata thatAnna Netrebko made her feature film début in Garry Marshall’s Princess Diaries II with Julie Andrews.

Anna Netrebko knows what she can do and where (at least for now) her limits lie. Most of all, she knows what the others can, or could, do. With the greatest respect she speaks of Callas (“She is and will remain unique, there’s no one else like her”), of Mirella Freni (“After I’ve listened to her, I sing better”), and of Renata Scotto, from whom she has learned the essentials for interpreting bel canto roles.

This album from the young Russian soprano seems to invoke comparisons with those legendary singers: anyone who takes on roles like Violetta in La traviata, Amina in La sonnambula, Lucia or Desdemona in Otello has to reckon with being measured against Callas, Scotto, and Freni. Initially Anna Netrebko’s new recording was to be a pure bel canto recital, but thenClaudio Abbado suggested adding Desdemona’s great scena. At first she was skeptical: she had never sung the part before, and, moreover, it lies considerably lower than her bravura bel canto roles. On the other hand, she felt so secure with Abbado and the Mahler Chamber Orchestra that she decided to take the plunge. In the recording, it sounds as though Desdemona has been a fixture of her repertoire for years.

Branching out from lyrical parts (like Susanna in Mozart’s Figaro), Anna Netrebko has gradually taken on some heavier, prima donna roles. She made headlines in Los Angeles as Lucia (in a new production by Marthe Keller) and in Vienna and Munich as Violetta, which she has called her most demanding part to date: “First of all, in terms of vocal technique it’s incredibly demanding, because you basically need four voices – a different one for each act and scene. And dramatically you need to give everything you’ve got. You have to love with her, suffer with her, and die with her. Whoever does that, however, will always have to pay a price with the voice – just ask anyone who’s surrendered her heart and soul to this role.”

Every interpreter of the Traviata must also completely surrender heart and soul to the audience – especially in the crucial scene of Act I, the heroine’s internal monologue. Violetta is confused. Is it really love that she feels for Alfredo? She yields to the emotion for a moment, but then pulls back. No, it’s all an illusion! What’s left of her life she will devote exclusively to the pursuit of pleasure. “Sempre libera!” – Ever free, ever free for new adventures.

“Sempre libera,” this desperate hymn to sexual freedom, requires much more than a convincing actress: it demands a vocal virtuoso who has mastered all the fine points of classical bel canto. Verdi decorated the whirl of desire that Violetta evokes here with lots of little notes, and many a world-class diva has stumbled over them. Something else that makes this scene such a bugbear for every singer: at the end it goes up to top E flat. Although Verdi didn’t actually notate the part with that extreme high note, it quickly became part of the performing tradition and still remains, despite all arguments against it, a “matter of honour.”

Anna Netrebko has taken on this challenge as well. “I don’t think I’ve sung as many high Eflats in my whole life as I did in these recording sessions. But Maestro Abbado and the wonderful orchestra helped me to sing better than ever before.”

“Endowed with film-star looks as well as an extraordinarily beautiful voice, Russia’s Anna Netrebko seems to have everything. Her second disc, of Italian arias (Bellini, Donizetti and Verdi), accompanied by Claudio Abbado and the Mahler Chamber Orchestra, certainly showcases her even tone throughout the compass, and her superb technical control, with a legato line that many a singer would envy.” – Record Review / Barry Millington, Standard (London) / September 2004

Semper Libera – Anna Netrebko – Claudio Abbado Track Listing:

Giuseppe Verdi – La traviata
[01] No. 3 Scena ed Aria: “È strano! è strano! – Ah, fors’è lui – Follie! Delirio vano è questo!”
[02] “Sempre libera”
Vincenzo Bellini – La sonnambula
[03] No. 12 Scena ed Aria finale: “Ah! se una volta sola rivederlo potessi”
[04] “Ah! non credea mirarti”
[05] “Ah! non giunge uman pensiero”
Vincenzo Bellini – I puritani
[06] No. 7 Scena ed Aria: “O rendetemi la speme – Qui la voce sua soave”
[07] “Ah! tu sorridi e asciughi il pianto!”
[08] “Vien, diletto, è in ciel la luna!”
Gaetano Donizetti – Lucia di Lammermoor
[09] No. 14 Scena ed Aria: “O giusto cielo!” – “Il dolce suono”
[10] “Ohimè! … sorge il tremendo fantasma”
[11] “Ardon gli incensi”
[12] “Spargi d’amaro pianto”
Giuseppe Verdi – Otello
[13] “Era più calmo?” – “Mia madre aveva una povera ancella”
[14] “Piangea cantando nell’erma landa”
[15] “Ave Maria”
Giacomo Puccini – Gianni Schicchi
[16] “O mio babbino caro”

DISC INFO:

Disc Title:     ANNA_NETREBKO_HDCLUB
Disc Size:      13 897 457 952 bytes
Protection:     AACS
BD-Java:        No
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Claudio Abbado’s Last Concert with the Berliner Philharmoniker (2013) Blu-ray 1080i AVC DTS-HD 5.1

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Name: Claudio Abbado’s Last Concert with the Berliner Philharmoniker
Released: 2016
Genre: Classical
Conductor: Claudio Abbado
Сomposer: Felix Mendelssohn (1809-1847), Hector Berlioz (1803-1869)
Artist: Deborah York (soprano), Stella Doufexis (mezzo-soprano), Damen des Chors des Bayerischen Rundfunks, Berliner Philharmoniker

Label: © Berlin Phil Media GmbH
Recorded: Philharmonie Berlin 18, 19, 21 May 2013
Quality: Blu-ray Audio/Video
Duration: 01:36:07 +
Video#1: MPEG-4 AVC 950 kbps / 1920*1080i / 29.970 fps / 16:9 / High Profile 4.1
Video#2: MPEG-4 AVC 20999 kbps / 1920*1080i / 29.970 fps / 16:9 / High Profile 4.1
Audio#1: German DTS-HD MA 5.1 / 48 kHz / 3709 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio#2: German LPCM 2.0 / 48 kHz / 2304 kbps / 24-bit
Subtitle: Japanese
Size: 45.46 GB

This marks the second anniversary of Claudio Abbado’s death on 20 January 2014 aged eighty. The set – on CD and Blu-ray (audio and video) – captures Abbado’s final concert with the Berliner Philharmoniker‏ in May 2013. It was the end of a treasured partnership that bore plentiful and remarkable fruit.

Abbado first conducted the Berliner Philharmoniker‏ in 1966, the start of a unique relationship that was to last nearly half a century. Succeeding Herbert von Karajan into the biggest job in the world of classical music Abbado was elected by the members of the orchestra as chief conductor of the Berliner Philharmoniker‏ serving from 1990 to 2002. He became only the fifth chief conductor in the orchestra’s history. Following his resignation from that post Abbado would return to the orchestra as a guest. The relationship between orchestra and Abbado remained cordial and these appearances as guest were clearly events to savour.

In May 2013 there was a series of three concerts at the Philharmonie which turned out to be Abbado’s last with the Berliner Philharmoniker. They were described as a “triumph” by the Frankfurter Allgemeine Zeitung. Abbado’s programme comprised two key works from composers both close contemporaries: Felix Mendelssohn’s enchanting A Midsummer Night’s Dream and Hector Berlioz’s progressive Symphonie fantastique.

Inspired by Schlegel’s translation of Shakespeare’s original play Mendelssohn was only seventeen when he wrote his overture to A Midsummer Night’s Dream. Some sixteen years later in 1842-43 owing to a commission from Frederick William IV of Prussia, Mendelssohn returned to the text, writing incidental music for a stage production. The score was complete with two women soloists and women’s chorus and incorporated the overture into the score. Sadly today Mendelssohn’s incidental music to A Midsummer Night’s Dream is rarely performed in its entirety. In 1995 during his tenure as chief conductor Abbado and the orchestra recorded some fifty minutes of excerpts from the incidental music and coupled these with the Symphony No. 4 ‘Italian’ for Sony Classical. This live May 2013 concert performance contains forty minutes of excerpts including the overture but without any passages requiring narration. Right from the opening measures of the youthful overture one feels the uplifting and glowing magical atmosphere of an enchanting fairyland. Sticking in the memory are the outstanding violins in the Overture, the horn playing in the Notturno and the trumpets in the Wedding March. Performed in English Ye spotted snakes is sung by soprano Deborah York and mezzo Stella Doufexis as the first and second fairies. They are joined by the fresh and sparkling twenty-strong women’s chorus — a wealth of charm.

In 1830 the twenty-six year old Hector Berlioz’s wrote his epic Symphonie fantastique subtitled An Episode in the Life of an Artist. This is a richly scored work for large orchestra and ground-breaking in its day. His best known work, Berlioz wrote his own programme note for the five movement score. This follows the self-destruction of an artist over his infatuation with a beautiful woman. In reality this is a musical self-portrait and the object of Berlioz’s own self-destructive passion was the Irish actress Harriet Smithson his muse whom he was later to marry. Abbado recorded some Berlioz but I know of very little with the Berliner Philharmoniker. He released a recording of Symphonie fantastique but that was with the Chicago Symphony Orchestra in 1983 a fine performance which has been criticised in some quarters for the balance of its recorded sound. Having attended live performances of Symphonie fantastique three times in the last year and less than a week ago by the Royal Liverpool Philharmonic Orchestra I did wonder if this new Abbado account from 2013 would be one performance too many. Thankfully there is nothing to fear as it soon becomes evident that Abbado and his players revel in this early romantic showpiece; enjoying every second. Immediately noticeable in this splendidly moulded performance is the composure and technical precision of the players. Striking are the vivid orchestral textures, astutely chosen tempi and dynamic contrasts which are ideally emphasised and provide plenty of dramatic bite. The graceful lilt the violins give to charming waltz themes in Un bal is memorable as is the simply stunning cor anglais in Scène aux champs, the magnificent brass especially the contribution from the glowing trumpets and also the precision of the bassoons in March to the Scaffold. With a performance as excellent as this the Symphonie fantastique didn’t feel as overlong as it can often do in the wrong hands.

Pure Audio Blu-ray Disc
All recordings in lossless studio master quality as well as High Definition video
i) 2.0 LPCM Stereo, 24-bit/48 kHz
ii) 5.1 DTS-HD Master Audio 24-bit/48 kHz
Running time: 96 minutes
Video of full concert
Picture: Full HD 1080/60i – 16.9
Sound:
i) 2.0 LPCM Stereo, 24-bit/48 kHz
ii) 5.1 DTS-HD Master Audio 24-bit/48 kHz
Running time: 107 mins
Bonus videos:
Video Direction: Daniel Finkernagel & Alexander Lück
i) Documentary: ‘Abbado in Berlin – The First Year’ – A film by Bob Eisenhardt, Susan Froemke and Peter Gelb [59.50]ii) Members of the Berliner Philharmoniker Remember Claudio Abbado [15.36]iii) Promotional feature: About Berliner Philharmoniker’s Digital Concert Hall (which is the Berliner Philharmoniker’s video streaming service) [01.28]Running time of bonus content: [76.54]Region code: ABC (worldwide)
German/English/Japanese

Tracklist:
  Felix Mendelssohn (1809-1847)
  A Midsummer Night´s Dream
1. Ouverture Op. 21: Allegro di molto – Poco ritenuto 12:04
2. No. 1 Scherzo: Allegro vivace 04:47
3. No. 3 Song with Chorus: »You Spotted Snakes with Double… 04:14
4. No. 5 Intermezzo: Allegro appassionato – Allegro molto… 03:58
5. No. 7 Notturno: Andante tranquillo 05:45
6. No. 9 Wedding March: Allegro vivace 04:55
7. No. 13 Finale: »Through the House Give Glimmering Light«… 04:27
  Hector Berlioz (1803-1869)
  Symphonie fantastique
8. I. Rêveries – Passions: Largo – Allegro agitato e… 15:51
9. II. Un bal: Valse. Allegro non troppo 06:44
10. III. Scène aux champs: Adagio 16:06
11. IV. Marche au supplice: Allegretto non troppo 06:46
12. V. Songe d´une nuit du Sabbat – Dies Irae – Ronde du… 10:18
Bonus videos
· Documentary: “Abbado in Berlin – The First Year”
· Members of the Berliner Philharmoniker remember Claudio Abbado

DISC INFO:

Disc Title:     BERLINPHIL_ABBADO
Disc Size:      48,808,916,083 bytes
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Trent Reznor and Atticus Ross – The Social Network (2010) [High Fidelity Pure Audio Blu-Ray Disc]

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Artist: Trent Reznor and Atticus Ross
Title: The Social Network (soundtrack)
Genre: Dark Ambient, Trip-hop, Experimental Ambient, Electronica, Stage & Screen, Soundtracks
Label: © The Null Corporation
Release Date: 2010
Quality: Blu-ray Audio
Duration: 01:06:28
Video: MPEG-4 AVC 9294 kbps / 1920*1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio#1: English LPCM 5.1 / 96 kHz / 13824 kbps / 24-bit
Audio#2: English LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit
Size: 13.68 GB

The Social Network is a dark ambient soundtrack by Trent Reznor and Atticus Ross for David Fincher’s film of the same name. It was released on September 28, 2010. On September 17, a five-track sampler was also made available for free. The film’s score bears a similar sound to the previous Reznor/Ross 2008 collaboration, Ghosts I-IV, and even features two slightly reworked tracks from Ghosts : the track “Magnetic” (reworked from “14 Ghosts II”) and “A Familiar Taste” (a remixed version of “35 Ghosts IV”).
Critical reception of the soundtrack has been generally favorable, with high praise and widespread acclaim across the film industry being bestowed upon it. The score won nine major awards, including the 2010 Golden Globe award for Best Original Score – Motion Picture, and the Academy Award for Best Original Score at the 83rd Academy Awards.

The taut intelligence of The Social Network’s mix of competition, technology, and betrayal extends all the way to Trent Reznor and Atticus Ross’ score. Artful sound design and textural interplay are dead giveaways that Reznor had a hand in this music, as are the carefully chosen motifs: spectral pianos pass through icy and brittle electronics and brush up against corrosive electric guitars. Reznor has been working with sounds like these for years, and with particular precision on later Nine Inch Nails albums like Year Zero. However, he and Ross use them with remarkable flexibility here, conveying apprehension and vulnerability on “Hand Covers Bruise”’s tentative melody, and almost sinister determination on “Eventually We Find Our Way”’s glowering tones. Reznor and Ross explore this divide between technology and all-too-human fragility throughout the score via caustic pieces like “A Familiar Taste” and “Carbon Prevails” and reflective ones such as the lovely “Painted Sun in Abstract.” The most abstract tracks feel like they were written by and for machines: “3:14 Every Night” finds Ross and Reznor crafting an entirely different kind of industrial music than what Reznor is usually associated with; it hums like a generator as electronics scuttle and strings shriek. Most exciting, though, are The Social Network’s longest pieces, which play like an extended suite. “In Motion,” “Intriguing Possibilities,” and “The Gentle Hum of Anxiety” — which could be an alternate title for the whole score — are atmospheric but percolate with electronic sounds that suggest synapses firing and technology acting of its own accord. Throughout it all, there’s a certain distance that reflects the virtual intimacy The Social Network comments on, coupled with an unease that comes to the fore on “Almost Home” and “Soft Trees Break the Fall.” Cerebral but with a very real emotional undercurrent, Ross and Reznor’s score is perfect for a David Fincher film. While The Social Network may not be as iconic as the Dust Brothers’ score for Fincher’s Fight Club, it’s as impressive and listenable in its own way. Reznor fans and film score aficionados will find a lot to like here. –AllMusic Review by Heather Phares

Tracklist:
1 Hand Covers Bruise 4:19
2 In Motion 4:57
3 A Familiar Taste 3:36
4 It Catches Up With You 1:39
5 Intriguing Possibilities 4:24
6 Painted Sun In Abstract 3:30
7 3:14 Every Night 4:03
8 Pieces Form The Whole 4:16
9 Carbon Prevails 3:53
10 Eventually We Find Our Way 4:17
11 Penetration 1:15
12 In The Hall Of The Mountain King 2:21
13 On We March 4:14
14 Magnetic 2:11
15 Almost Home 3:33
16 Hand Covers Bruise, Reprise 1:53
17 Complication With Optimistic Outcome 3:20
18 The Gentle Hum Of Anxiety 3:54
19 Soft Trees Break The Fall 4:45

Personnel:
Trent Reznor and Atticus Ross – composition, arrangements, performance, programming, production

DISC INFO:

Disc Title:     TRENT_REZNOR_AND_ATTICUS_ROSS_THE_SOCIAL_NETWORK
Disc Size:      14 685 684 212 bytes
Protection:     AACS
BD-Java:        Yes
BDInfo:         0.5.8

PLAYLIST REPORT:

Name:                   00000.MPLS
Length:                 1:06:28.150 (h:m:s.ms)
Size:                   14 671 521 792 bytes
Total Bitrate:          29,43 Mbps

VIDEO:

Codec                   Bitrate             Description
-----                   -------             -----------
MPEG-4 AVC Video        9294 kbps           1080p / 23,976 fps / 16:9 / High Profile 4.1

AUDIO:

Codec                           Language        Bitrate         Description
-----                           --------        -------         -----------
LPCM Audio                      English         13824 kbps      5.1 / 96 kHz / 13824 kbps / 24-bit
LPCM Audio                      English         4608 kbps       2.0 / 96 kHz / 4608 kbps / 24-bit

FILES:

Name            Time In         Length          Size            Total Bitrate
----            -------         ------          ----            -------------
00004.M2TS      0:00:00.000     1:06:22.979     14 645 422 080  29 416
00000.M2TS      1:06:22.979     0:00:02.127     10 555 392      39 698
00001.M2TS      1:06:25.106     0:00:00.041     577 536         110 769
00002.M2TS      1:06:25.147     0:00:03.002     14 966 784      39 872

Blu-ray Audio Disc:

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Blu-ray Audio Rip FLAC 24bit/96kHz

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George Michael – Symphonica (2014) [High Fidelity Pure Audio Blu-Ray Disc]

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Filename: George Michael Symphonica 2014 1080p AVC Blu-Ray DTS-HD MA 2.0

Duration : 1h 19mn 12s 900ms
Quality : 1080p
Video Codec : MPEG-4 AVC
Audio Codec : LPCM / Dts-HD Master Audio / Dolby TrueHD
Video :1920×1080 / 16:9 / 24 fps / 17.09 Mbps
Audio :
LPCM Audio English 4608 kbps /2.0 / 96 kHz / 4608 kbps
DTS-HD Master Audio English 3111 kbps /2.0 / 96 kHz / 3111 kbps
Dolby TrueHD Audio English 2631 kbps /2.0 / 96 kHz / 2631 kbps
Size: 9.78 GB

Live album by the English singer-songwriter. Debuting at #1 in the UK Albums Chart, the album features the single ‘Let Her Down Easy’ as well as popular hits ‘Brother Can You Spare a Dime’ and ‘John and Elvis Are Dead’.


Tracklist:

1.Through
2.My Baby Just Cares For Me
3.A Different Corner
4.Praying For Time
5.Let Her Down Easy
6.The First Time Ever I Saw Your Face
7.Feeling Good
8.John And Elvis Are Dead
9.Roxanne
10.One More Try
11.Going To A Town
12.Cowboys and Angels
13.Idol
14.Brother Can You Spare A Dime
15.You Have Been Loved
16.Wild Is The Wind
17.You’ve Changed

Technical Specs:
Blu-ray
BD-25 Single-Layer Disc

Note:this is not a concert.This disc contains the blu-ray version of an audio album and blu-ray Enjoy!!!

BVlu-ray Audio Disc:

https://subyshare.com/hycn041rffd9/GMSYMPHONICA.part01.rar.html
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Blu-ray Audio to FLAC 24-96

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Bob Marley & The Wailers – Legend 30th Anniversary Deluxe Edition (2014) [High Fidelity Pure Audio Blu-Ray Disc]

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Originally released in 1984, Bob Marley’s LEGEND illustrates the remarkable life and recording career of one of reggae music’s most important figures. This iconic collection not only serves as the perfect introduction to the music of Bob Marley, it has become an essential part in every Marley collection. It remains the world’s best-selling reggae album and continues to be one of the best-selling catalog albums, exceeding 15 copies in the U.S. alone and over 27 million worldwide.

Coupled with the original release of LEGEND on CD, this deluxe version features this iconic collection entirely mixed in 5.1 by the GRAMMY® Award winning producer Bob Clearmountain on Blu-Ray Pure Audio Disc™ and now includes the original, early studio version of ‘No Woman No Cry,’ in lieu of the previous live version. Also featured are two, previously unheard alternate takes of ‘Easy Skanking’ and ‘Punky Reggae Party’ recently discovered in the Marley vault. Classic Marley anthems include ‘Three Little Birds,’ ‘Get Up Stand Up,’ ‘One Love/People Get Ready,’ ‘No Woman No Cry’ and ‘I Shot The Sheriff,’ which was later a No. 1 hit for Eric Clapton, as well as ‘Jamming,’ ‘Exodus,’ ‘Redemption Song’ and ‘Is This Love.’
PACKAGING

Both the CD and Blu-Ray Pure Audio Disc™ are housed in a 28-page, case bound book featuring extended
liner notes, unseen photos and forewards written by Sir Paul McCartney, Stevie Wonder, and liner notes by
author of the book Marley, Christopher Farley.

Tracklist:

1. Is This Love (Blu-Ray Pure Audio Disc(TM))
2. No Woman No Cry (studio version) (Blu-Ray Pure Audio Disc(TM))
3. Could You Be Loved (Blu-Ray Pure Audio Disc(TM))
4. Three Little Birds (Blu-Ray Pure Audio Disc(TM))
5. Buffalo Soldier (Blu-Ray Pure Audio Disc(TM))
6. Get Up Stand Up (Blu-Ray Pure Audio Disc(TM))
7. Stir It Up (Blu-Ray Pure Audio Disc(TM))
8. Easy Skanking (alternate version/additional track) (Blu-Ray Pure Audio Disc(TM))
9. One Love/ People Get Ready (Blu-Ray Pure Audio Disc(TM))
10. I Shot The Sheriff (Blu-Ray Pure Audio Disc(TM))
11. Waiting In Vain (Blu-Ray Pure Audio Disc(TM))
12. Redemption Song (Blu-Ray Pure Audio Disc(TM))
13. Satisfy My Soul (Blu-Ray Pure Audio Disc(TM))
14. Exodus (Blu-Ray Pure Audio Disc(TM))
15. Jamming (Blu-Ray Pure Audio Disc(TM))
16. Punky Reggae Party (alternate version/additional track) (Blu-Ray Pure Audio Disc(TM))

DISC INFO:

Disc Title:     Bob Marley & The Wailers.Legend.30th Anniversary.2014.BDA1080p
Disc Size:      17 483 281 386 bytes
Protection:     AACS
BD-Java:        Yes
BDInfo:         0.5.8

PLAYLIST REPORT:

Name:                   01001.MPLS
Length:                 1:07:21.454 (h:m:s.ms)
Size:                   17 017 368 576 bytes
Total Bitrate:          33,69 Mbps

VIDEO:

Codec                   Bitrate             Description    
-----                   -------             -----------    
MPEG-4 AVC Video        8977 kbps           1080p / 23,976 fps / 16:9 / High Profile 4.1

AUDIO:

Codec                           Language        Bitrate         Description    
-----                           --------        -------         -----------    
LPCM Audio                      English         4608 kbps       2.0 / 96 kHz / 4608 kbps / 24-bit
DTS-HD Master Audio             English         8557 kbps       5.1 / 96 kHz / 8557 kbps / 24-bit (DTS Core: 6.1 / 48 kHz / 1509 kbps / 24-bit)
Dolby TrueHD Audio              English         8058 kbps       5.1 / 96 kHz / 8058 kbps / 24-bit (AC3 Embedded: 5.1 / 48 kHz / 640 kbps)

FILES:

Name            Time In         Length          Size            Total Bitrate  
----            -------         ------          ----            -------------  
00002.M2TS      0:00:00.000     1:07:21.454     17 017 368 576  33 686

Download:

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Bob Marley & The Wailers – Kaya 1978 (2013) [High Fidelity Pure Audio Blu-Ray Disc]

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Bob Marley & The Wailers – Kaya 1978 (2013) Blu-ray 1080p AVC LPCM Audio 2.0 – HDClub

Universal Music Group has gone back to the original master tapes to deliver fully uncompressed, high-resolution versions of many of your favorite albums on Blu-ray Pure Audio Disc. Mastered at 24bit/96kHz, Blu-ray Pure Audio Discs deliver the sound the artists originally heard in the studio when these classic albums were recorded. These discs provide all the recorded musical information. While convenient due to their small file size, today’s heavily compressed music files do not represent the true fidelity of the original album.

•     Recordings are transferred from the original master tapes and delivered in high-resolution 24-bit/96kHz audio

•     No compression is utilized, and the sound quality is vastly superior to MP3 or standard CD

•     Three separate choices of audio file format for playback: PCM 2.0, Dolby True HD, or DTS-HD Master Audio (5.1 available where noted)

•     Your preferred audio format is chosen either by pressing the “Audio” button on your Blu-ray remote or via your onscreen menu display

Bob Marley has been called “the first Third World superstar,” a visionary, a revolutionary and even a prophet. Certainly he was one of the most characteristic and challenging performers of this century. His timeless and evocative music continues to have an enormous impact on people of all races throughout the world. Like most popular artists, Marley wrote about love. But his music also reflected a militant spirituality, a blood-red hatred of racism and colonialism, and a deep yearning for personal, artistic, political and social freedom.

2013 marks the 35th anniversary of Bob Marley & The Wailers’ now revered 1978 release, Kaya. The album finds Bob Marley & The Wailers truly capitalizing on their newfound international success with classics like “Is This Love,” “Sun Is Shining,” “Time Will Tell” and “Satisfy My Soul,” hitting #4 on the UK charts in the process. The 10-song set captures Marley and company in a relaxed mood on a spiritual and distinctive collection of love songs, and of course, homages to the power of ganga.

Blu-ray Pure Audio Discs:

Audio is taken from the original master tapes and mastered in 24-bit/96kHz resolution with a choice of three sound formats: PCM, Dolby True HD, or DTS-HD Master Audio. You can finally enjoy the music in the fidelity originally experienced in the studio.

Operating Instructions:

• Simply load the disc into any Blu-Ray device and it starts to play, just like a CD

• No video needed: Blu-Ray remote allows track selection and preferred audio format

• Alternately, use your onscreen display to select tracks and preferred audio format

Bob Marley And The Wailers Kaya Track Listing:

1.  Easy Skanking
2.  Kaya
3.  Is This Love
4.  Sun Is Shining
5.  Satisfy My Soul
6.  She’s Gone
7.  Misty Morning
8.  Crisis
9.  Running Away
10. Time Will Tell

DISC INFO:
Disc Title:     BOB_MARLEY_KAYA_HDCLUB
Disc Size:      6 748 765 771 bytes
Protection:     AACS
BD-Java:        No
BDInfo:         0.5.8
PLAYLIST REPORT:
Name:                   00000.MPLS
Length:                 0:42:09.000 (h:m:s.ms)
Size:                   6 269 650 944 bytes
Total Bitrate:          19,83 Mbps
VIDEO:
Codec                   Bitrate             Description
-----                   -------             -----------
MPEG-4 AVC Video        6048 kbps           1080p / 24 fps / 16:9 / High Profile 4.1
AUDIO:
Codec                           Language        Bitrate         Description
-----                           --------        -------         -----------
LPCM Audio                      English         4608 kbps       2.0 / 96 kHz / 4608 kbps / 24-bit
DTS-HD Master Audio             English         3629 kbps       2.0 / 96 kHz / 3629 kbps / 24-bit (DTS Core: 3.0 / 48 kHz / 1509 kbps / 24-bit)
Dolby TrueHD Audio              English         3040 kbps       2.0 / 96 kHz / 3040 kbps / 24-bit (AC3 Embedded: 2.0 / 48 kHz / 640 kbps)
FILES:
Name            Time In         Length          Size            Total Bitrate
----            -------         ------          ----            -------------
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Download:

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Marvin Gaye – What´s going on (1971) [High Fidelity Pure Audio Blu-Ray Disc]

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Marvin Gaye’s landmark 1971 recording What’s Going On is one of the most important and passionate soul records ever made and it directly influenced other artists to take greater responsibility in the meaning of their music. Gaye co-wrote the songs and produced the album, a social commentary on an American dream which was increasingly being threatened by urban and environmental problems including unemployment and poverty.What’s Going On broke the Motown mold and introduced Gaye as not only the company’s sexy prince, but also an uncompromising artist with something to say.

Blu-ray Pure Audio Discs:

Audio is taken from the original master tapes and mastered in 24-bit/96kHz resolution with a choice of three sound formats: PCM, Dolby True HD, or DTS-HD Master Audio. You can finally enjoy the music in the fidelity originally experienced in the studio.

Operating Instructions:

• Simply load the disc into any Blu-Ray device and it starts to play, just like a CD

• No video needed: Blu-Ray remote allows track selection and preferred audio format

• Alternately, use your onscreen display to select tracks and preferred audio format

Marvin Gaye What’s Going On Track Listing:

1. What’s Going On
2. What’s Happening Brother
3. Flyin’ High (In the Friendly Sky)
4. Save the Children
5. God is Love
6. Mercy Mercy Me (The Ecology)
7. Right On
8. Wholy Holy
9. Inner City Blues (Make Me Wanna Holler)

DISC INFO:
Disc Title:     MARVIN_GAYE_WHAT_S_GOING_ON
Disc Size:      5 389 590 101 bytes
Protection:     AACS
BD-Java:        No
BDInfo:         0.5.8
PLAYLIST REPORT:
Name:                   00000.MPLS
Length:                 0:35:36.000 (h:m:s.ms)
Size:                   4 843 063 296 bytes
Total Bitrate:          18.14 Mbps
VIDEO:
Codec                   Bitrate             Description
-----                   -------             -----------
MPEG-4 AVC Video        5003 kbps           1080p / 24 fps / 16:9 / High Profile 4.1
AUDIO:
Codec                           Language        Bitrate         Description
-----                           --------        -------         -----------
LPCM Audio                      English         4608 kbps       2.0 / 96 kHz / 4608 kbps / 24-bit
DTS-HD Master Audio             English         2919 kbps       2.0 / 96 kHz / 2919 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
Dolby TrueHD Audio              English         3237 kbps       2.0 / 96 kHz / 3237 kbps / 24-bit (AC3 Embedded: 2.0 / 48 kHz / 640 kbps)
FILES:
Name            Time In         Length          Size            Total Bitrate
----            -------         ------          ----            -------------
00001.M2TS      0:00:00.000     0:35:36.000     4 843 063 296   18 139

Download:

https://subyshare.com/dz9okq2x7kj3/MARVINGAYEWHATSGOINGON.part1.rar.html
https://subyshare.com/1rucp6uamjep/MARVINGAYEWHATSGOINGON.part2.rar.html
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Sex Pistols – Never Mind The Bollocks (1977/2014) [High Fidelity Pure Audio Blu-Ray Disc]

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Sex Pistols – Never Mind The Bollocks (1977/2014) [High Fidelity Pure Audio Blu-Ray Disc] | 15.24 GB

#1 LPCM Audio  , 4608 kbps  ,  2.0 / 96 kHz / 4608 kbps / 24-bit
@2 DTS-HD Master Audio   ,  3542 kbps  ,   2.0 / 96 kHz / 3542 kbps / 24-bit (DTS Core: 3.0 / 48 kHz / 1509 kbps / 24-bit)
#3 Dolby TrueHD Audio  , 2959 kbps ,  2.0 / 96 kHz / 2959 kbps / 24-bit (AC3 Embedded: 2.0 / 48 kHz / 640 kbps)

High Fidelity Pure Audio edition of the classic Sex Pistols album Never Mind the Bollocks. High Fidelity Pure Audio is a range of physical HD audio products from Universal Music Group which uses Blu-ray technology to deliver the ultimate listening experience to the user. High Fidelity Pure Audio discs are playable through all Blu-ray devices.

Tracklist:

Album [01] Holidays In The Sun
[02] Bodies
[03] No Feelings
[04] Liar
[05] God Save The Queen
[06] Problems
[07] Seventeen
[08] Anarchy In The UK
[09] Submission
[10] Pretty Vacant
[11] New York
[12] EMI

B-Sides [13] No Feeling (Dave Goodman Version)
[14] Did You No Wrong
[15] No Fun
[16] Satellite

Live 1977 [Happy House, Stockholm, Sweden – 28/07/1977] [17] Anarchy In The UK
[18] I Wanna Be Me
[19] Seventeen
[20] New York
[21] EMI
[22] Submission
[23] No Feelings
[24] Problems
[25] God Save The Queen
[26] Pretty Vacant
[27] No Fun

DISC INFO:

Disc Title:     SEX_PISTOLS_NEVER_MIND
Disc Size:      16 365 482 433 bytes
Protection:     AACS
BD-Java:        No
BDInfo:         0.5.8

PLAYLIST REPORT:

Name:                   00000.MPLS
Length:                 1:50:12.605 (h:m:s.ms)
Size:                   16 330 573 824 bytes
Total Bitrate:          19.76 Mbps

VIDEO:

Codec                   Bitrate             Description
-----                   -------             -----------
MPEG-4 AVC Video        5993 kbps           1080p / 23.976 fps / 16:9 / High Profile 4.1

AUDIO:

Codec                           Language        Bitrate         Description
-----                           --------        -------         -----------
LPCM Audio                      English         4608 kbps       2.0 / 96 kHz / 4608 kbps / 24-bit
DTS-HD Master Audio             English         3542 kbps       2.0 / 96 kHz / 3542 kbps / 24-bit (DTS Core: 3.0 / 48 kHz / 1509 kbps / 24-bit)
Dolby TrueHD Audio              English         2959 kbps       2.0 / 96 kHz / 2959 kbps / 24-bit (AC3 Embedded: 2.0 / 48 kHz / 640 kbps)

FILES:

Name            Time In         Length          Size            Total Bitrate
----            -------         ------          ----            -------------
00000.M2TS      0:00:00.000     0:55:17.564     8 390 062 080   20 232
00001.M2TS      0:55:17.564     0:54:55.041     7 940 511 744   19 279

CHAPTERS:

Download:

https://subyshare.com/gq76fd9hvg67/SEX_PIST0LS_NEVER_MIND.part01.rar.html
https://subyshare.com/agwc7ot0s9pb/SEX_PIST0LS_NEVER_MIND.part02.rar.html
https://subyshare.com/l5g1gr9t44ao/SEX_PIST0LS_NEVER_MIND.part03.rar.html
https://subyshare.com/plnoyp47yty2/SEX_PIST0LS_NEVER_MIND.part04.rar.html
https://subyshare.com/hxrl1o5eh4j2/SEX_PIST0LS_NEVER_MIND.part05.rar.html
https://subyshare.com/kwps7gdr1e2m/SEX_PIST0LS_NEVER_MIND.part06.rar.html
https://subyshare.com/umzm4xd1uk0r/SEX_PIST0LS_NEVER_MIND.part07.rar.html
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https://subyshare.com/t54wkl0z58bb/SEX_PIST0LS_NEVER_MIND.part09.rar.html
https://subyshare.com/sehk3yjm464a/SEX_PIST0LS_NEVER_MIND.part10.rar.html
https://subyshare.com/z1vwase84u69/SEX_PIST0LS_NEVER_MIND.part11.rar.html

Blu-Ray Audio Rip 24-96

http://www.hdmusic.me/the-sex-pistols-never-mind-the-bollocks-19772014-blu-ray-audio-rip-24-96/

Tears For Fears – The Hurting (1983/2014) [High Fidelity Pure Audio Blu-Ray Disc]

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Tears For Fears – The Hurting (1983/2014)

Genre: Rock, Pop, Synth Pop
Released Country: UK
Year of Publication: 2014
Publisher (label): Universal Music Group
Catalog number: 0600753479438
Country: UK
Quality: Blu-ray Audio
Container: BDMV
Video codec: MPEG-4
Audio Codec: LPCM, DTS-HD MA, AC3
Duration: 41:46
Size: 5.93 GB

Video: MPEG-4 AVC Video / 5989 kbps / 1080p / 23,976 fps / 16: 9 / High Profile 4.1

Audio # 1: English / LPCM Audio / 2.0 / 96 kHz / 4608 kbps / 24-bit
Audio # 2: English / DTS-HD Master Audio / 2.0 / 96 kHz / 3701 kbps / 24-bit (DTS Core: 3.0 / 48 kHz / 1509 kbps / 24-bit)
# 3 Audio: English / Dolby TrueHD Audio / 2.0 / 96 kHz / 3103 kbps / 24-bit (AC3 Embedded: 2.0 / 48 kHz / 640 kbps)

The Hurting would have been a daring debut for a pop-oriented band in any era, but it was an unexpected success in England in 1983, mostly by virtue of its makers’ ability to package an unpleasant subject — the psychologically wretched family histories of Roland Orzabal and Curt Smith — in an attractive and sellable musical format. Not that there weren’t a few predecessors, most obviously John Lennon’s Plastic Ono Band album — which was also, not coincidentally, inspired by the work of primal scream pioneer Arthur Janov. (But Lennon had the advantage of being an ex-Beatle when that meant the equivalent to having a box next to God’s in the great arena of life, where Tears for Fears were just starting out.) Decades later, “Pale Shelter,” “Ideas as Opiates,” “Memories Fade,” “Suffer the Children,” “Watch Me Bleed,” “Change,” and “Start of the Breakdown” are powerful pieces of music, beautifully executed in an almost minimalist style. “Memories Fade” offers emotional resonances reminiscent of “Working Class Hero,” while “Pale Shelter” functions on a wholly different level, an exquisite sonic painting sweeping the listener up in layers of pulsing synthesizers, acoustic guitar arpeggios, and sheets of electronic sound (and anticipating the sonic texture, if not the precise sound of their international breakthrough pop hit “Everybody Wants to Rule the World”). The work is sometimes uncomfortably personal, but musically compelling enough to bring it back across the decades.

Tracklist:
01 – The Hurting
02 – Mad World
03 – Pale Shelter
04 – Ideas As Opiates
05 – Memories Fade
06 – Suffer The Children
07 – Watch Me Bleed
08 – Change
09 – The Prisoner
10 – Start Of The Breakdown

Disc Title: TEARS FOR FEARS
Disc Size: 6 257 149 257 bytes
Protection: AACS
BD-Java: No
Playlist: 00000.MPLS
Size: 6 222 747 648 bytes
Length: 0:41:46.170
Total Bitrate: 19,86 Mbps
Video: MPEG-4 AVC Video / 5989 kbps / 1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio: English / LPCM Audio / 2.0 / 96 kHz / 4608 kbps / 24-bit
Audio: English / DTS-HD Master Audio / 2.0 / 96 kHz / 3701 kbps / 24-bit (DTS Core: 3.0 / 48 kHz / 1509 kbps / 24-bit)
Audio: English / Dolby TrueHD Audio / 2.0 / 96 kHz / 3103 kbps / 24-bit (AC3 Embedded: 2.0 / 48 kHz / 640 kbps)

Download:

https://subyshare.com/326nmzsqddr1/TEARSFORFEARS.part1.rar.html
https://subyshare.com/001lpyak8659/TEARSFORFEARS.part2.rar.html
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Blu-ray Rip 24-96

http://www.hdmusic.me/tears-for-fears-the-hurting-19832014-blu-ray-audio-to-flac-24-96/

Tears for Fears: Songs from the Big Chair (2014) [High Fidelity Pure Audio Blu-Ray Disc]

http://www.hdmusic.me/tears-for-fears-songs-from-the-big-chair-2014-high-fidelity-pure-audio-blu-ray-disc/

Depeche Mode – Delta Machine (2014) [High Fidelity Pure Audio Blu-Ray Disc]

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Artist: Depeche Mode
Title: Delta Machine
Genre: Synthpop, Dance-Rock, Alternative Dance
Label: © Columbia Records, a Division of Sony Music Entertainment
Release Date: 2014
Recorded: March–October 2012; Sound Design (Santa Barbara, California); Jungle City Studio (New York City, New York)
Quality: Blu-ray Audio
Duration: 01:16:42
Video: MPEG-4 AVC 14876 kbps / 1080p / 23,976 fps / 16:9 / High Profile 4.1
Audio: DTS-HD MA 5.1 / 96 kHz / 7101 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio: LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit
Size: 15.06 GB

Depeche Mode have announced the global release of their CD/DVD/Blu-ray release of Depeche Mode Live In Berlin for November 17th via Columbia Records. Directed by their longtime creative collaborator, Anton Corbijn, Depeche Mode Live in Berlin features two hours worth of never before released, live concert footage.

Depeche Mode Live in Berlin was filmed on location at the O2 World Berlin on November 25th and 27th, 2013 during the band’s extremely successful Delta Machine Tour which saw them play to over 2.4 million people in 32 countries. Depeche Mode was touring in support of their lauded 13th studio album, Delta Machine, which debuted at #1 in 12 countries worldwide in March 2013. The CD/DVD will include not only performances of tracks from Delta Machine but also some of their most memorable and biggest hits including “Personal Jesus” and “Policy of Truth”.

The deluxe version offers a total immersion, all access experience for fans. This will include the Live in Berlin DVD, the Live in Berlin full show audio across two CDs, as well as a second DVD, Alive in Berlin. Also directed by Corbijn, Alive in Berlin includes the full live show, inter-spliced with behind-the-scenes footage, multiple interviews with the band and their fans, and a 2-song acoustic session, which was filmed at Salon Bel Ami, the oldest existing brothel in Berlin.

The package also includes the band’s 2013 album Delta Machine 5.1 mix on Blu-Ray CD. All this comes specially packaged in a beautiful lift off box that includes 5 CD mini-jackets housing the aforementioned discs and a 16 page booklet.

“Alive in Berlin is a record of Depeche Mode visiting Berlin for two concerts and the impact it has on fans following the band. Berlin has a special place in the hearts of Depeche Mode. Likewise, Depeche Mode has a strong following in the German capital and the film tries to capture the highlights of these concerts as well as that special connection through interviews with fans and bands alike,” states director Anton Corbijn.

Also available will be a double CD package of the full audio from Live in Berlin.

Tracklist:
1. Welcome To My World
2. Angel
3. Heaven
4. Secret To The End
5. My Little Universe
6. Slow
7. Broken
8. The Child Inside
9. Soft Touch/Raw Nerve
10. Should Be Higher
11. Alone
12. Soothe My Soul
13. Goodbye
14. Long Time Lie
15. Happens All The Time
16. Always
17. All That’s Mine

Personnel:
Dave Gahan – lead vocals
Martin Gore – keyboards, backing and lead vocals; guitars
Andy Fletcher – keyboards, backing vocals

DISC INFO:

Disc Title:     Depeche Mode.Delta Machine.2014.BDA1080p
Disc Size:      16 169 115 725 bytes
Protection:     AACS
BD-Java:        Yes
BDInfo:         0.5.8

PLAYLIST REPORT:

Name:                   00100.MPLS
Length:                 1:16:42.598 (h:m:s.ms)
Size:                   16 156 606 464 bytes
Total Bitrate:          28,08 Mbps

VIDEO:

Codec                   Bitrate             Description     
-----                   -------             -----------     
MPEG-4 AVC Video        14876 kbps          1080p / 23,976 fps / 16:9 / High Profile 4.1

AUDIO:

Codec                           Language        Bitrate         Description     
-----                           --------        -------         -----------     
LPCM Audio                      English         4608 kbps       2.0 / 96 kHz / 4608 kbps / 24-bit
DTS-HD Master Audio             English         7101 kbps       5.1 / 96 kHz / 7101 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)

FILES:

Name            Time In         Length          Size            Total Bitrate   
----            -------         ------          ----            -------------   
00002.M2TS      0:00:00.000     1:16:42.598     16 156 606 464  28 083          

  

Download:

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https://subyshare.com/85yz2xjajyko/DModeDeltaMachine.BDA.part02.rar.html
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Genesis Selling England By The Pound (1973) [High Fidelity Pure Audio Blu-Ray Disc]

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Genesis Selling England By The Pound 1973 1080p BluRay Remux DTS-HD MA 5.1 x264

Duration : 53mn 40s
Quality : 1080p
Video Codec : MPEG-4 AVC
Audio Codec : LPCM / Dts-HD Master Audio
Video : 1980×1080 / 16:9 / 23.976 fps / 37.2 Mbps

Audio:
English / LPCM Audio / 2.0 / 96 kHz / 4608 kbps / 24-bit
English / DTS-HD Master Audio / 2.0 / 96 kHz / 3683 kbps
English / LPCM Audio / 5.1 / 96 kHz / 13824 kbps / 24-bit
English / DTS-HD Master Audio / 5.1 / 96 kHz / 8903 kbps

Tracklist:
1.Dancing With the Moonlit Knight
2.I Know What I Like (In Your Wardrobe)
3.Firth of Fifth
4.More Fool Me
5.The Battle of Epping Forest
6.After the Ordeal
7.The Cinema Show
8.Aisle of Plenty

Download:

https://subyshare.com/qlw4rbx4z8e4/GSEBTP1973.part01.rar.html
https://subyshare.com/x5rk4hhg7qal/GSEBTP1973.part02.rar.html
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Blu-Ray Audio Rip 24-96

http://www.hdmusic.me/genesis-selling-england-by-the-pound-19732014-blu-ray-audio-rip-24-96/

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